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- BLUE RAY METALLIC COLOR PALETTE MOVIE
- BLUE RAY METALLIC COLOR PALETTE 1080P
- BLUE RAY METALLIC COLOR PALETTE CODE
The action and conversations are brighter with deeper, truer blacks and more vivid whites while specular highlights are crisp and gleaming, providing the 2.39:1 image with better dimensionality and an eye-catching sparkling shine on metallic surfaces. Notwithstanding, the 2160p transfer offers a couple small gains over its HD SDR counterpart, mainly showing improved contrast and brightness. On top of that, there is a good amount of haloing baked into the source and many instances of mild aliasing along the sharpest edges. Much of this can be chalked up not only to limitations of the technology at the time, but the early DNR efforts have also permanently scrubbed away the finer details. Due to the CGI of the period, there are also many good chunks of poorly-resolved, blurry sequences distracting from its best moments, and the comparative difference to the Blu-ray is near negligible. For a majority of the runtime, the 4K video enjoys a moderately good uptick in overall definition, showing just a tad sharper lines in the various spacecrafts, the production design and the droids along with mildly better clarity in the clothing and hair. The end result is, frankly, a mixed bag, teetering between passable and strong but ultimately somewhat disappointing considering the legacy of the franchise. And for the Ultra HD edition, that DI was used for creating this new HEVC H.265 encode. In preparation for the Blu-ray box set, a 3D re-release and to secure the franchise's longevity, producers made further adjustments and enhancements to the aforementioned elements before creating a new 4K DI, such as updating the visual effects work with the latest technology and replacing the puppet Yoda with a CG-animated Yoda. For the DVD, the camera negatives were tweaked when scanned to a 2K digital intermediate to better match the HD footage, resulting in several video artifacts inherent to the source.
BLUE RAY METALLIC COLOR PALETTE 1080P
Shot mostly on traditional 35mm with some footage coming from Sony's early HD digital cameras, which was limited to 1080p resolution, Episode I has had a rather problematic history on home video.
BLUE RAY METALLIC COLOR PALETTE MOVIE
At startup, viewers are taken to a static screen where owners can choose between the start of the movie or look through an animated menu screen. Both discs are housed inside a black, eco-vortex case with a glossy, lightly-embossed slipcover. The dual-layered UHD66 disc sits comfortably opposite a Region Free, BD50 disc, which is identical to the 2011 Blu-ray containing all the bonus material.
BLUE RAY METALLIC COLOR PALETTE CODE
When redeeming said code via or MoviesAnywhere, users have access to the 4K digital version in Dolby Vision HDR with Dolby Atmos audio. Walt Disney Studios Home Entertainment brings Star Wars: Episode I - The Phantom Menace to 4K Ultra HD Blu-ray as a two-disc combo pack with a flyer for a Digital Copy. The excitement of seeing a young Obi-Wan Kenobi meet the Force-sensitive, pod-racing maniac Anakin and Queen Amidala is sadly ruined by the clownish hijinks of Jar Jar Binks, and the anticipation for a fight between Qui-Gon Jinn and Darth Maul is weighed down by seemingly endless debates of governmental bickering.ĭecades later, The Phantom Menace can now be mildly enjoyed and somewhat appreciated as both the origin tale of the iconic Darth Vader and the rather pedestrian rise of the Sith.įor a more in-depth take on the movie, you can read Aaron Peck's review of the 2011 Blu-ray HERE and our review of the Star Wars: The Skywalker Saga boxset HERE. Unfortunately, with a sixteen-year pause generating outrageously high expectations, the first episode of the prequel trilogy was disappointingly mediocre, made all the more disheartening by also being George Lucas' first directorial effort since 1977's A New Hope. Ravenous for a new adventure to the fantasy world populated by space cowboys and samurai wizards, famished followers flooded cinemas with mile-long lines for purchasing tickets and later camping in front of buildings for several days. Twenty years ago, The Phantom Menace arguably marked a cinematic milestone in a few areas with the first and foremost being a return to a galaxy far, far away since 1983's Return of the Jedi.